^I see 20% All critics, funny that the 3 fresh reviews are from Top critics
damn that's arch I don't think that the reviews for Mortecai are that bad in Europe
damn that's arch I don't think that the reviews for Mortecai are that bad in Europe
I get you I think by now she should make better films but she doesn't really have many choices or offers, look at the huffpost interview where she talks a bit about that. Sure adding another bad movie to her resume isn't good but if it does well enough that something positive she hasn't had a hit in years some studios might say well people still want to see her on the big screenJLOz1FaNaTiC wrote:To those saying it's just a fun movie it's nothing serious.
At what point does she want to be taken serious as an actress? She's 45. She's been in the game a long time and hasn't had an acclaimed film since 98, not to mention a #1 Box Office hit as a lead in 10 years. You do the math.
Take it how you like, but this is only hurting her career even more. Her movie career choices is the pits.
But ya gotta wait for lila and eve sounds like jennifers got her teeth right into that role and this film with jennifer been a producer turns into a decent hit thats gonna be good for her career it will give her more credit that shes capable of actually producing hit shows/films... Look at feel the noise, EC,bordertown to whats shes producing now its a getting better (success wise) as a producer the better she gets the bigger and better projects will follow.JLOz1FaNaTiC wrote:To those saying it's just a fun movie it's nothing serious.
At what point does she want to be taken serious as an actress? She's 45. She's been in the game a long time and hasn't had an acclaimed film since 98, not to mention a #1 Box Office hit as a lead in 10 years. You do the math.
Take it how you like, but this is only hurting her career even more. Her movie career choices is the pits.
This jennifer can only work with whats she given! I still have a feeling lila and eve could turn out to be a golden globe,oscar worthy role or at least a critical acclaimed onedaisylo wrote:I get you I think by now she should make better films but she doesn't really have many choices or offers, look at the huffpost interview where she talks a bit about that. Sure adding another bad movie to her resume isn't good but if it does well enough that something positive she hasn't had a hit in years some studios might say well people still want to see her on the big screenJLOz1FaNaTiC wrote:To those saying it's just a fun movie it's nothing serious.
At what point does she want to be taken serious as an actress? She's 45. She's been in the game a long time and hasn't had an acclaimed film since 98, not to mention a #1 Box Office hit as a lead in 10 years. You do the math.
Take it how you like, but this is only hurting her career even more. Her movie career choices is the pits.
Hmmm I wouldn't bet on this.selena lopez wrote:This jennifer can only work with whats she given! I still have a feeling lila and eve could turn out to be a golden globe,oscar worthy role or at least a critical acclaimed one
Ahem, I just came across this prediction:JLOz1FaNaTiC wrote:Nobody will see this Welly and you know it.=
If thats true it will be her second biggest opening with her been lead!nixy1991 wrote:Hmmm I wouldn't bet on this.selena lopez wrote:This jennifer can only work with whats she given! I still have a feeling lila and eve could turn out to be a golden globe,oscar worthy role or at least a critical acclaimed one
Ahem, I just came across this prediction:JLOz1FaNaTiC wrote:Nobody will see this Welly and you know it.=
The Boy Next Door (Universal Pictures) - $19.5 million
Playing in 2,600 theaters ($7,500 avg.)
This is going to be her biggest opening in a DECADE, so I'm not really sure what you're talking about.
The perfectly cheeseball tone is so consistent and so effective that it couldn’t possibly be meant as anything less than broad entertainment. And it entertains so broadly that the audience – certainly the one in my theater – shrieked, cheered, jumped and even burst into periodic applause. The Boy Next Door works entirely on its own merits, eliciting exactly the audience responses it’s aiming for. You can argue that it’s not high art, but don’t pretend that The Boy Next Door isn’t effective.